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erykadellenbach@gmail.com


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E r y k a   D e l l e n b a c h (she/they)
is a Chicago-bred filmmaker, choreographer, performer and teaching artist based in California’s East Bay on Lisjan Ohlone territory. Her embodied films, soundscapes and evocative, multidisciplinary performances are rites of carefully designed sensation that mine  psychophysical thresholds and the malleability of consciousness. Eryka regards work process as life and values close and longterm collaboration, intimacy with brutal climates, rituals of consent, conflict+resolution, fantasy and world-building.

She has worked with and performed in the works of an eclectic variety of dance/performance artists including  Atsushi Takenouchi, Tori Wränes, Tino Sehgal, Blair Thomas Puppet Theatre, Amanda Gutierrez, HOGG, Michael Zerang & Eva Mag. Her process and technique have been heavily informed by her  teachers Wendy Clinard (flamenco), Atsushi Takenouchi (Butoh), Vangeline (Butoh), Deborah Stratman (celluloid film), Joshua Grainger (capoeira) and the late Dr. Waud Kracke (psychoanalytic-anthropology).

Eryka has presented work at Movement Research at the Judson Memorial Church, Anthology Film Archives, Roulette Intermedium, Green River Cemetery, Virginia Commonwealth University, Intuit Outsider Art Museum, The Art Institute Museum of Chicago, Links Hall, No Nation Gallery, and internationally at the Shiryaevo Bienalle of Contemporary Art (Russia), Spazio Nu (Italy) and Schloss Bröllin (Germany). 

She earned a bachelor’s degree in Cultural Anthropology from the Universiy of Illinois at Chicago, and a master’s degree in Film, Video, New Media, Animation and Sound from the School of the Art Institute of Chicago.

She works as a choreographer, performer, artist teacher, performance documentarian, DP, camera operator, and contracted worker. She is a collaborator of transnational group HEKLER.

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S c h r o o n   L a k e,  2020

Schroon Lake is a film by Eryka Dellenbach in collaboration with performance artists Matty Davis and Ben Gould adapting their work Carriage to the 9-mile long frozen lake in the Adirondacks. Shot on expired 16mm film over 2 days in 2018, the film offers an intimate sightline of the unstable space between masculinities, refracted through the winter and mutually activated syndromes, perceived and rearranged through a queer, female gaze.

Screenings:

Wendy’s Subway (sneak peek for CARRIAGE book release), 2020)
Cucalorus Film Festival, NC (upcoming, 2020)
Outpost Resources, NY (upcoming, 2020)
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